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home·artworks·A Lady of the Seventeenth Century
A Lady of the Seventeenth Century by John Pettie

plate no. 8620

A Lady of the Seventeenth Century

John Pettie, 1877

oilRomanticismportraitfigureportraitdressfanhairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures with loose brushwork. It also provides practice in creating subtle color variations to convey form and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: background, skin tones, dress, and dark shawl.

  3. step 03

    Refine the skin tones, paying attention to subtle shifts in value and color on the face and hands.

  4. step 04

    Develop the details of the dress, using short, broken brushstrokes to suggest texture and folds.

  5. step 05

    Add the dark shawl, creating depth with darker values and hints of red highlights.

  6. step 06

    Paint the hair, using a dry brush technique to create a sense of volume and texture.

  7. step 07

    Add the fan and other small details, such as the necklace and flower.

  8. step 08

    Make final adjustments to values and colors to create a cohesive and harmonious painting.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · alizarin crimson · ultramarine blue · ivory black

Achieve skin tones by mixing yellow ochre, titanium white, and a touch of alizarin crimson. Use burnt umber and ivory black to create the dark tones of the shawl, and mix ultramarine blue with white for the dress's highlights.

techniques

  • ·portraiture
  • ·scumbling
  • ·dry brush
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brush (#8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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