
plate no. 8620
John Pettie, 1877
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures with loose brushwork. It also provides practice in creating subtle color variations to convey form and light.
technical profile
approach — 8 steps
Lightly sketch the overall composition, focusing on proportions and placement of the figure.
Block in the main areas of color: background, skin tones, dress, and dark shawl.
Refine the skin tones, paying attention to subtle shifts in value and color on the face and hands.
Develop the details of the dress, using short, broken brushstrokes to suggest texture and folds.
Add the dark shawl, creating depth with darker values and hints of red highlights.
Paint the hair, using a dry brush technique to create a sense of volume and texture.
Add the fan and other small details, such as the necklace and flower.
Make final adjustments to values and colors to create a cohesive and harmonious painting.
color palette
primary · yellow ochre · titanium white · burnt umber
secondary · alizarin crimson · ultramarine blue · ivory black
Achieve skin tones by mixing yellow ochre, titanium white, and a touch of alizarin crimson. Use burnt umber and ivory black to create the dark tones of the shawl, and mix ultramarine blue with white for the dress's highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.
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