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home·artworks·A Lady Having Tea
A Lady Having Tea by Albert Lynch

plate no. 5632

A Lady Having Tea

Albert Lynch

oilArt Nouveau (Modern)portraitfigureportraittea setflowersfoliagegarden
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a dreamy atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the tea set, and the background foliage.

  2. step 02

    Block in the main color areas with thin washes, focusing on the overall value structure.

  3. step 03

    Begin building up the skin tones, using subtle variations of color and value to create form.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to proportions and expression.

  5. step 05

    Paint the dress and tea set, focusing on the highlights and shadows to create a sense of depth.

  6. step 06

    Develop the background foliage, using loose brushstrokes and varying shades of green to create a sense of depth and atmosphere.

  7. step 07

    Add the flowers, paying attention to their color and form.

  8. step 08

    Refine the details and adjust the values to create a cohesive and harmonious composition.

color palette

primary · titanium white · yellow ochre · burnt sienna · alizarin crimson

secondary · viridian green · ultramarine blue · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use green and blue to create the various shades of foliage. Mix white with small amounts of other colors to create the soft, muted tones throughout the painting.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·color mixing
  • ·rendering form

common pitfalls

  • →Overworking the details early on
  • →Using too much paint
  • →Creating muddy colors
  • →Failing to capture the likeness of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·viridian green oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Pre-tinting the canvas with a neutral tone can help create a more harmonious composition.

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