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home·artworks·A house in Belkino
A house in Belkino by Pyotr Konchalovsky

plate no. 3616

A house in Belkino

Pyotr Konchalovsky, 1907

oilImpressionismlandscapebuildingtreeslandscapearchitecturefoliagesky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. It also encourages simplification of complex forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, trees, and ground, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure with a thin wash of a neutral color like burnt umber.

  3. step 03

    Block in the main color areas for the building, roof, trees, and ground using broad, loose strokes.

  4. step 04

    Begin layering colors, focusing on capturing the light and shadow effects with short, broken brushstrokes.

  5. step 05

    Mix and apply subtle variations in color to create depth and texture in the foliage and ground.

  6. step 06

    Refine the details of the building, such as windows and architectural features, using smaller brushes.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · titanium white · ultramarine blue · burnt sienna · cadmium red

secondary · yellow ochre · viridian green · raw umber

Mix various shades of green by combining blue, yellow, and brown. Achieve the off-white of the building by mixing white with small amounts of yellow ochre and burnt sienna. Create atmospheric perspective by adding blue to distant colors.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the foliage.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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