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home·artworks·A hot day
A hot day by David Davies

plate no. 3924

A hot day

David Davies, 1888

oilImpressionismlandscapetreeslandscapefigurewagonskyfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through color and value changes. It also provides practice in capturing the texture of foliage and dry landscapes using loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, horizon line, and wagon.

  2. step 02

    Establish the sky with a thin wash of light blue and subtle cloud shapes.

  3. step 03

    Block in the distant trees and landscape with muted browns and greens, paying attention to value changes to create depth.

  4. step 04

    Paint the large tree in the foreground, layering different shades of green and brown to create texture and form.

  5. step 05

    Add details to the wagon and figure, using small brushstrokes to define their shapes.

  6. step 06

    Paint the foreground field with a mix of warm browns and yellows, adding texture with dry brushing.

  7. step 07

    Add details like the fallen log and small plants to enhance the sense of realism.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and atmospheric scene.

color palette

primary · yellow ochre · raw umber · titanium white · sap green

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining sap green with yellow ochre or raw umber for muted tones. Achieve the sky color by mixing titanium white with a touch of ultramarine blue. Use burnt sienna and raw umber for the warm browns of the landscape.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details, losing the loose and impressionistic feel.
  • →Creating too much contrast, resulting in a harsh and unrealistic scene.
  • →Ignoring the subtle color variations in the landscape, leading to a flat and monotonous painting.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

A canvas with a medium texture is recommended for capturing the brushstrokes. Use a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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