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home·artworks·A Hilltop, Naples
A Hilltop, Naples by Thomas Jones

plate no. 2126

A Hilltop, Naples

Thomas Jones, 1782

oilRomanticismlandscapehillbuildingskywallarchitecturelandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through color and value variations. Students will also practice painting architectural details and rendering textures of stone and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the hill, buildings, and wall.

  2. step 02

    Establish the sky with a thin wash of blue, allowing for subtle variations in tone.

  3. step 03

    Block in the basic shapes of the hill with varying shades of green and brown, paying attention to the light and shadow.

  4. step 04

    Add the distant building on the hilltop, focusing on its simple geometric form.

  5. step 05

    Paint the wall in the foreground, using a mix of grays, browns, and blues to create a sense of texture and depth.

  6. step 06

    Add details to the buildings and wall, such as windows, doors, and cracks.

  7. step 07

    Introduce highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Refine the details and adjust the overall color balance to achieve a harmonious composition.

color palette

primary · cerulean blue · sap green · raw umber · titanium white

secondary · yellow ochre · burnt sienna · payne's gray

Mix greens by combining blue and yellow, and create grays by mixing complementary colors. Use white to lighten values and create atmospheric haze.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create enough contrast between the light and shadow areas.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the subtle color variations in the sky and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil (if using oils)
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·turpentine or odorless mineral spirits (for oil paints)

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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