apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Highland Breakfast
A Highland Breakfast by Edwin Henry Landseer

plate no. 5990

A Highland Breakfast

Edwin Henry Landseer, 1834

oil, panelRomanticismgenre paintinginteriorwomandogsfiguresanimalsdomestic scene
some experience helpful

Recreating this painting will help students develop skills in rendering fur textures, capturing subtle light and shadow, and creating a sense of depth in a complex interior scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the overall arrangement of the scene.

  2. step 02

    Establish the main light source and block in the large areas of shadow and light using thin washes of color.

  3. step 03

    Begin to develop the background details, paying attention to the textures and patterns of the walls and objects.

  4. step 04

    Focus on rendering the figures, starting with the woman and then moving on to the dogs, building up layers of color to create form and depth.

  5. step 05

    Pay close attention to the fur textures of the dogs, using small, broken brushstrokes to create a sense of realism.

  6. step 06

    Refine the details of the faces and expressions, capturing the individual personalities of the figures.

  7. step 07

    Add highlights and shadows to enhance the sense of depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use yellow ochre and cadmium red for highlights and warmth, and ultramarine blue to create shadows and cool tones.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke