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home·artworks·A Hayfield near East Bergholt at Sunset
A Hayfield near East Bergholt at Sunset by John Constable

plate no. 0477

A Hayfield near East Bergholt at Sunset

John Constable, 1812

oil, canvasRomanticismlandscapelandscapesunsettreesfieldskyhaystacks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and blending colors to create a sense of depth and light. It also provides practice in depicting organic shapes and textures with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like trees and haystacks.

  2. step 02

    Establish the sky gradient with broad strokes, blending from orange and pink near the horizon to cooler tones above.

  3. step 03

    Block in the dark masses of the trees, paying attention to their shapes and silhouettes.

  4. step 04

    Add the distant landscape details, using lighter values and muted colors to create atmospheric perspective.

  5. step 05

    Define the field with horizontal strokes, varying the color and value to suggest texture and depth.

  6. step 06

    Paint the haystacks, using short, broken strokes to capture their rounded forms and rough texture.

  7. step 07

    Add highlights to the haystacks and trees to suggest the direction of the light.

  8. step 08

    Refine the details and blend the colors as needed to achieve a harmonious and atmospheric effect.

color palette

primary · burnt sienna · cadmium red · titanium white

secondary · ultramarine blue · yellow ochre

Achieve the sunset colors by mixing cadmium red and burnt sienna with varying amounts of titanium white. Use ultramarine blue to cool down the sky and create shadows.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brush texture

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated and not blending them properly.
  • →Failing to create a sense of depth by not varying the values and colors.
  • →Making the tree silhouettes too uniform and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (burnt sienna, cadmium red, titanium white, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider toning the canvas with a thin wash of burnt sienna before starting.

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oil painting for beginners →how to learn by studying the masters →
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