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home·artworks·A Group of Animals, Geneva
A Group of Animals, Geneva by Edwin Henry Landseer

plate no. 4053

A Group of Animals, Geneva

Edwin Henry Landseer, 1851

oilRomanticismanimal paintinganimalshorsesdonkeysdogfruitarchitecturesky
experienced study

Recreating this painting will help students develop skills in rendering animal anatomy, capturing textures of fur and fabric, and understanding complex compositions with multiple focal points. It also provides practice in creating atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the animals and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start with the background elements like the sky and architecture, gradually working towards the foreground.

  4. step 04

    Focus on rendering the individual animals, paying close attention to their anatomy, proportions, and fur texture.

  5. step 05

    Build up layers of color to create depth and dimension, using glazing techniques where appropriate.

  6. step 06

    Add details such as harnesses, fruit, and the dog, refining the forms and textures.

  7. step 07

    Pay attention to the lighting and shadows to create a sense of realism.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and polished result.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · cadmium red · ivory black · raw sienna

Achieve the various browns and tans by mixing burnt umber, yellow ochre, and titanium white. Use ultramarine blue and white for the sky, adding touches of burnt umber for clouds. Mix cadmium red with burnt umber for the darker reds.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the animals wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, titanium white, ultramarine blue, yellow ochre, cadmium red, ivory black, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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