
plate no. 7989
Gerolamo Induno, 1862
Students would develop skills in portrait painting, particularly facial features and expression, while learning to handle complex fabric textures and the interplay of warm and cool tones in figure work.
technical profile
approach — 8 steps
Begin with a careful contour drawing, mapping the figure's proportions and pose
Block in the major value masses - dark clothing, mid-tone flesh, light cap and collar
Establish the background foliage using dark greens and browns
Develop the face with careful attention to proportions and lighting
Paint the white cap and collar, paying attention to how fabric folds catch light
Render the dark clothing with subtle variations to show form
Add the wicker basket texture using varied brushwork
Refine facial features, expression, and final details
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · cadmium red light · yellow ochre · sap green · ultramarine blue
Mix flesh tones using white, raw sienna, and touches of cadmium red. Create rich darks by mixing burnt umber with ultramarine blue rather than using pure black.
techniques
common pitfalls
surface · stretched canvas 16x20 or 18x24
required
optional
Use a warm-toned ground or canvas to help establish the overall warm color harmony of the painting
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke