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home·artworks·A gingerbread seller by candlelight
A gingerbread seller by candlelight by Petrus van Schendel

plate no. 9028

A gingerbread seller by candlelight

Petrus van Schendel

oil, canvasRomanticismgenre paintingfigurescandlelightmarketnightbuildingclothing
experienced study

Recreating this painting will help students develop skills in rendering light and shadow, particularly the warm glow of candlelight, and in creating realistic skin tones under artificial light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the main light source.

  2. step 02

    Establish the overall dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures and buildings with mid-tone colors.

  4. step 04

    Begin to build up the highlights around the candlelight, using warmer tones.

  5. step 05

    Carefully blend the transitions between light and shadow to create a soft, luminous effect.

  6. step 06

    Add details to the figures' clothing and faces, paying attention to the way the light affects the colors.

  7. step 07

    Refine the background and add subtle details to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism and drama.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · viridian · ivory black · raw sienna

Achieve the warm glow of candlelight by mixing yellow ochre and cadmium red with white. Use burnt umber and ivory black to create the dark shadows and background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Not paying enough attention to the way the light affects the colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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