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home·artworks·A Game of L'hombre in Brøndums Hotel
A Game of L'hombre in Brøndums Hotel by Anna Palm de Rosa

plate no. 8199

A Game of L'hombre in Brøndums Hotel

Anna Palm de Rosa, 1885

oilImpressionismgenre paintingfigurestablecardssmokecandlelightinterior
some experience helpful

Recreating this painting will help students understand how to depict a scene with limited lighting and how to create atmospheric effects using loose brushwork. It also provides practice in painting figures in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Establish the darkest areas of the painting with a diluted dark blue or black wash.

  3. step 03

    Begin building up the mid-tones, focusing on the areas around the candlelight.

  4. step 04

    Add the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Paint the smoke using light, wispy brushstrokes, blending it softly into the background.

  6. step 06

    Add highlights to the faces, hands, and cards to create a sense of depth and dimension.

  7. step 07

    Refine the details of the objects on the table, such as the glasses and card box.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · burnt umber · ivory black

secondary · titanium white · yellow ochre

Mix ultramarine blue and burnt umber to create a range of dark blues and browns. Use titanium white to create highlights and to lighten the blues and browns.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Failing to establish a strong value structure, which can result in a flat and lifeless painting.
  • →Using too much white, which can make the colors look chalky and washed out.
  • →Not blending the smoke properly, which can make it look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface for best results. Consider using a toned canvas to help establish the dark background.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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