apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A French Hamlet
A French Hamlet by Theodore Robinson

plate no. 5252

A French Hamlet

Theodore Robinson, 1892

oilImpressionismlandscapelandscapebuildingstreeshillsskyfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of depth and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the buildings and hills.

  2. step 02

    Block in the main color areas: sky, hills, buildings, and foreground.

  3. step 03

    Establish the value structure, paying attention to the light and shadow on the buildings and hills.

  4. step 04

    Begin adding details to the buildings, trees, and foreground, using broken color to create texture and interest.

  5. step 05

    Refine the colors and values, adjusting the atmospheric perspective to create a sense of depth.

  6. step 06

    Add final details, such as the fence and small flowers in the foreground.

  7. step 07

    Soften edges and blend colors where needed to create a cohesive image.

color palette

primary · titanium white · yellow ochre · burnt umber · sap green

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the off-white of the buildings by mixing titanium white with small amounts of yellow ochre and burnt umber.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Creating colors that are too saturated, failing to capture the muted tones of the scene.
  • →Ignoring the atmospheric perspective, resulting in a flat image.
  • →Not varying the brushstrokes, leading to a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a canvas with a medium texture to enhance the broken color effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann