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home·artworks·A Foxhound, Ringwod
A Foxhound, Ringwod by George Stubbs

plate no. 9004

A Foxhound, Ringwod

George Stubbs, 1792

oil, canvasRomanticismanimal paintingdoganimalfoliagetreeskyportrait
some experience helpful

Recreating this painting will help students develop skills in animal anatomy, color mixing for realistic fur tones, and creating depth through subtle value changes. It also provides practice in rendering foliage and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the dog, tree, and foliage, paying attention to proportions and placement.

  2. step 02

    Block in the main areas of color: the sky, the dog's fur (white, brown, black), the tree trunk, and the foliage.

  3. step 03

    Begin refining the colors and values of the dog's fur, using layers of paint to build up depth and texture.

  4. step 04

    Add details to the dog's face, including the eyes, nose, and mouth.

  5. step 05

    Work on the tree trunk, adding highlights and shadows to create a sense of form.

  6. step 06

    Paint the foliage, varying the colors and values to create a naturalistic effect.

  7. step 07

    Refine the background sky, adding subtle variations in color.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · titanium white · burnt umber · yellow ochre · ivory black

secondary · cadmium red · sap green · ultramarine blue

Mix burnt umber and yellow ochre for the warm brown tones of the dog's fur. Use white to lighten these colors and black to darken them. Mix sap green and yellow ochre for the foliage, adding touches of blue for cooler greens.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Getting the proportions of the dog wrong.
  • →Using colors that are too saturated or unnatural.
  • →Failing to create enough depth in the painting.
  • →Overworking the details.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, ivory black, cadmium red, sap green, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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