
plate no. 4420
Frederick George Cotman, 1885
This painting is good for learning about atmospheric perspective and creating subtle color variations to depict reflections in water. Students can practice simplifying complex scenes into basic shapes and values.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the horizon line and placement of the windmill and buildings.
Block in the sky with a light blue-gray wash, adding subtle variations in tone.
Establish the water area with a similar light gray, paying attention to the horizontal brushstrokes.
Paint the distant buildings and windmill using muted colors and soft edges to create atmospheric perspective.
Add the reflections in the water, using slightly darker and blurred versions of the objects above.
Introduce the birds in the foreground, keeping them simple and small.
Refine the details of the buildings and windmill, adding subtle highlights and shadows.
Add final touches to the water, such as ripples and subtle color variations.
color palette
primary · titanium white · ultramarine blue · burnt umber
secondary · yellow ochre · raw sienna · cadmium red light
Mix white with small amounts of blue and umber for the sky and water. Use yellow ochre and sienna for the buildings, adding red for the roofs. Muted tones are key.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.
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