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home·artworks·A Fairy Tale
A Fairy Tale by Lilla Cabot Perry

plate no. 6195

A Fairy Tale

Lilla Cabot Perry, 1912

oilImpressionismgenre paintingfiguresmotherchildreadinginteriorportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing soft lighting, and creating a sense of intimacy through composition and color harmony. It also provides practice in blending and layering to achieve subtle tonal variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and placement.

  2. step 02

    Establish the background with broad, loose strokes of dark browns and greens.

  3. step 03

    Block in the main areas of color for the figures, paying attention to skin tones and clothing.

  4. step 04

    Begin to refine the facial features, focusing on capturing the expressions of the mother and child.

  5. step 05

    Develop the details of the clothing, using broken brushstrokes to suggest texture and form.

  6. step 06

    Add highlights and shadows to create depth and dimension, particularly on the faces and hands.

  7. step 07

    Refine the background, adding subtle details to suggest foliage and other elements.

  8. step 08

    Make final adjustments to the composition, color, and value to achieve a harmonious and balanced painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix skin tones using white, red, yellow ochre, and a touch of blue. Achieve the dark background by mixing black, umber, and a hint of green. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Incorrect proportions of the figures.
  • →Muddying the colors by over-mixing.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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