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home·artworks·A distant view of the Citadel, Corfu
A distant view of the Citadel, Corfu by Edward Lear

plate no. 2901

A distant view of the Citadel, Corfu

Edward Lear

oilRomanticismlandscapelakemountainstreesfigurelandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also provides practice in rendering foliage and distant landscapes with soft edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the shoreline, mountains, trees, and figure.

  2. step 02

    Establish the sky and water with diluted washes of blue and violet, allowing for subtle variations in tone.

  3. step 03

    Layer washes of green, brown, and yellow to build up the foliage, gradually increasing color saturation in the foreground.

  4. step 04

    Paint the distant mountains with pale washes of blue and gray to create atmospheric perspective.

  5. step 05

    Add details to the trees, including branches and leaves, using a fine brush.

  6. step 06

    Paint the figure and sheep with small, delicate brushstrokes.

  7. step 07

    Refine the details of the shoreline and buildings in the distance.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · cerulean blue · raw umber · yellow ochre

secondary · burnt sienna · sap green · ultramarine blue

Achieve the muted tones by mixing complementary colors and diluting with plenty of water. Use ultramarine blue and burnt sienna for shadows, and yellow ochre and cerulean blue for foliage highlights.

techniques

  • ·wet-on-wet blending
  • ·dry brushing
  • ·layering washes
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details in the distance, which can flatten the perspective.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Neglecting the importance of value contrast in creating depth.
  • →Making the foreground too busy and distracting from the focal point.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve a variety of textures and details.

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oil painting for beginners →how to learn by studying the masters →
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