apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A dear visitor
A dear visitor by Max Kurzweil

plate no. 7313

A dear visitor

Max Kurzweil, 1894

oil, canvasImpressionismgenre paintinginteriorfigurehorsewindowbedsoldier
some experience helpful

Recreating this painting will help students develop skills in depicting figures in complex poses and rendering realistic textures of fabric and skin. It also provides practice in creating a sense of depth and atmosphere using subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, horse, and bed.

  2. step 02

    Establish the main light source and block in the large areas of color, paying attention to the overall value structure.

  3. step 03

    Refine the shapes of the figures and horse, adding details to their faces and clothing.

  4. step 04

    Begin to build up the textures of the fabric and skin using layers of paint and varied brushstrokes.

  5. step 05

    Pay attention to the subtle color variations in the shadows and highlights.

  6. step 06

    Add details to the background, including the window and the objects on the bedside table.

  7. step 07

    Glaze the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · Prussian blue · raw sienna

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use cadmium red to create the red uniforms and hats, and mix it with burnt umber for darker shades. Add yellow ochre and Prussian blue to create subtle greens and blues for the background and shadows.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the subtle color variations in the shadows and highlights

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas to allow for good paint adhesion and texture. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann