apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Crown
A Crown by Sir Lawrence Alma-Tadema

plate no. 3276

A Crown

Sir Lawrence Alma-Tadema

oilRomanticismgenre paintingfigurecrownjewelrypillowdressinterior
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and capturing the subtle light and shadow variations on skin and clothing. Students will also learn to paint intricate details like jewelry and embroidery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, crown, and background elements.

  2. step 02

    Block in the main color areas for the skin, dress, pillow, and background.

  3. step 03

    Begin layering values to create form and depth in the figure's face and body.

  4. step 04

    Develop the details of the dress, paying attention to folds and fabric texture.

  5. step 05

    Paint the pillow, focusing on the embroidered details and the way it drapes.

  6. step 06

    Carefully render the crown, capturing the sparkle and color of the jewels.

  7. step 07

    Add the jewelry details, such as the necklace and the beads hanging from the pillow.

  8. step 08

    Refine the background and add any final details to complete the painting.

color palette

primary · ivory · ultramarine blue · raw umber · cadmium red

secondary · lavender · gold · emerald green

Achieve the skin tones by mixing ivory, raw umber, and a touch of cadmium red. The dress is a mix of ivory and raw umber with hints of green and lavender. Mix ultramarine blue with white and a touch of raw umber for the pillow.

techniques

  • ·glazing
  • ·scumbling
  • ·rendering
  • ·portraiture

common pitfalls

  • →Overworking the details of the crown too early.
  • →Failing to capture the subtle value changes in the skin tones.
  • →Ignoring the fabric texture and painting the dress too flat.
  • →Getting the proportions of the figure incorrect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending and detail work.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke