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home·artworks·A courtyard in Granada
A courtyard in Granada by Marià Fortuny

plate no. 3183

A courtyard in Granada

Marià Fortuny, 1873

oilRomanticismlandscapebuildingscourtyardskyfiguresanimalslandscape
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow in an outdoor setting and practice creating texture with visible brushstrokes. It also provides an opportunity to learn how to simplify complex scenes by focusing on essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, sky, and ground.

  2. step 02

    Block in the sky with broad strokes of blue, grey, and white.

  3. step 03

    Establish the basic values of the buildings, using a mix of white, ochre, and burnt sienna.

  4. step 04

    Paint the ground with various shades of brown, green, and ochre, creating texture with short, broken strokes.

  5. step 05

    Add details to the buildings, such as windows, doors, and roof tiles.

  6. step 06

    Introduce the figures and animals, focusing on their silhouettes and basic forms.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add the final touches, such as the tree and any small details that enhance the overall composition.

color palette

primary · ultramarine blue · titanium white · burnt sienna · yellow ochre

secondary · raw umber · cadmium red light · sap green · ivory black

Mix various shades of grey for the sky by combining white, blue, and a touch of burnt umber. Achieve the warm tones of the buildings by mixing white, yellow ochre, and burnt sienna. Create depth in the ground by layering different shades of brown and green.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Failing to establish a strong value structure, resulting in a flat and uninteresting painting.
  • →Using colors straight from the tube without mixing them, leading to a lack of harmony.
  • →Ignoring the atmospheric perspective, causing the background to appear too sharp and detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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