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home·artworks·A corroboree of natives in Mills Plains
A corroboree of natives in Mills Plains by John Glover

plate no. 2095

A corroboree of natives in Mills Plains

John Glover, 1832

oilRomanticismgenre paintingtreeslandscapefiguresskysunsetfire
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering complex tree structures and figures in a landscape setting. Students will also learn to create a focal point using light and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the large tree and the horizon line.

  2. step 02

    Block in the sky with light pinks and blues, blending the colors softly.

  3. step 03

    Establish the dark masses of the trees and hills in the background using dark browns and greens.

  4. step 04

    Paint the ground plane with various shades of brown, adding texture with dry brush strokes.

  5. step 05

    Add the figures around the campfire, paying attention to their silhouettes and gestures.

  6. step 06

    Refine the details of the large tree, including the branches and leaves, using a small brush.

  7. step 07

    Add highlights to the trees and ground to create depth and dimension.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the atmosphere.

color palette

primary · burnt umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · raw sienna

Mix browns by combining burnt umber, yellow ochre, and a touch of red. Achieve the sky colors by mixing white with small amounts of red and blue. Use thin washes of color to create the atmospheric effects.

techniques

  • ·layering
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·silhouette painting

common pitfalls

  • →Overworking the details, especially in the background trees.
  • →Making the colors too saturated or bright.
  • →Losing the sense of depth and atmosphere.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint

Use high-quality oil paints for best results. Thin the paints with linseed oil for glazing.

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