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home·artworks·A Corner in the Old Kitchen of the Mittenheim Cloister
A Corner in the Old Kitchen of the Mittenheim Cloister by T. C. Steele

plate no. 4709

A Corner in the Old Kitchen of the Mittenheim Cloister

T. C. Steele, 1883

oil, canvasImpressionisminteriorinteriorwindowfigurearchitecturelightkitchen
some experience helpful

Recreating this painting will help students understand how to depict light and shadow in an interior space, and how to create depth using value and color temperature. It will also teach them how to suggest details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the window, figure, and main architectural elements.

  2. step 02

    Establish the dark areas of the painting with a thin wash of burnt umber or a similar dark brown.

  3. step 03

    Block in the main light areas around the window and on the floor with a lighter, warmer tone.

  4. step 04

    Begin to build up the details of the architecture, using thicker paint and visible brushstrokes to suggest texture.

  5. step 05

    Add the figure, paying attention to the way the light falls on her form.

  6. step 06

    Refine the details of the window, including the individual panes of glass.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black

Mix various shades of brown and yellow by combining burnt umber, yellow ochre, and white. Use ivory black sparingly to darken shadows. Add a touch of raw sienna for warmth.

techniques

  • ·chiaroscuro
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the dark areas too flat and lifeless.
  • →Failing to capture the subtle gradations of light and shadow.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, raw sienna, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to help create a sense of depth and atmosphere. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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