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home·artworks·A Copse, Evening
A Copse, Evening by A.Y. Jackson

plate no. 2620

A Copse, Evening

A.Y. Jackson, 1918

oilArt Nouveau (Modern)landscapetreeslandscapetrenchesskyfigureswar
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and values. Students will also learn how to create a sense of atmosphere and mood through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the trees and trenches.

  2. step 02

    Block in the sky with a light, warm color, creating the angled light rays.

  3. step 03

    Establish the basic shapes of the hills and trenches using a mid-tone brown.

  4. step 04

    Add darker values to the shadows and lighter values to the highlights on the hills and trenches.

  5. step 05

    Paint the trees, focusing on their bare branches and irregular shapes.

  6. step 06

    Add details to the trenches, such as the wooden planks and the figures.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to the overall atmosphere.

  8. step 08

    Add final details and highlights to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · sap green

Mix burnt umber and raw sienna for the earth tones. Add white to lighten the colors and blue to create cooler shadows. Use yellow ochre and sap green sparingly for highlights and variations in the landscape.

techniques

  • ·broken color
  • ·dry brush
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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