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home·artworks·A Confraternity in Procession along Calle Génova, Seville
A Confraternity in Procession along Calle Génova, Seville by Alfred Dehodencq

plate no. 6588

A Confraternity in Procession along Calle Génova, Seville

Alfred Dehodencq, 1851

oil, canvasRomanticismgenre paintingprocessionfiguresbuildingsstreetreligionsky
experienced study

Recreating this painting will help students develop skills in depicting crowds, rendering architectural details, and capturing atmospheric perspective. It also provides practice in using a limited palette to create a sense of depth and mood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements.

  2. step 02

    Block in the main shapes and values, focusing on the large areas of light and shadow.

  3. step 03

    Start with the background, establishing the sky and the distant buildings, using thin washes of color.

  4. step 04

    Gradually build up the details in the buildings, paying attention to the subtle variations in color and tone.

  5. step 05

    Move on to the figures, starting with the procession and then the crowd, simplifying the forms and focusing on the overall effect.

  6. step 06

    Add details to the foreground figures, paying attention to the folds in the clothing and the facial features.

  7. step 07

    Refine the details and add highlights to create a sense of depth and dimension.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall mood.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the muted tones by mixing black and white with small amounts of earth tones. Use ultramarine blue to darken shadows and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting lost in the details too early
  • →Overworking the painting
  • →Inaccurate proportions of figures
  • →Failing to establish a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·painting medium

Use a high-quality canvas primed with gesso. Consider using a medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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