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home·artworks·A Cavern near Saint Agnese without the Porta Pia
A Cavern near Saint Agnese without the Porta Pia by Thomas Jones

plate no. 7145

A Cavern near Saint Agnese without the Porta Pia

Thomas Jones, 1778

oilRomanticismlandscapecavernrockslandscapeskytreesunset
some experience helpful

This painting offers practice in rendering atmospheric perspective and creating depth through layering. Students will also learn to depict the texture of rocks and foliage using varied brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the shapes of the rocks and the horizon line.

  2. step 02

    Establish the sky colors with thin washes, blending the hues smoothly.

  3. step 03

    Block in the dark areas of the cavern and rocks with a dark brown or gray.

  4. step 04

    Add mid-tones to the rocks, using a mix of browns, grays, and hints of yellow ochre.

  5. step 05

    Paint the distant landscape, using lighter and cooler colors to create atmospheric perspective.

  6. step 06

    Add details to the foreground foliage, using small brushstrokes and varying greens.

  7. step 07

    Refine the highlights and shadows on the rocks to create a sense of depth and form.

  8. step 08

    Add the tree silhouette, paying attention to its shape and placement.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium orange

Mix browns and grays by combining raw umber, ultramarine blue, and white. Achieve the sunset colors by blending cadmium orange, yellow ochre, and a touch of red.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and blending.

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