apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Canal In Venice
A Canal In Venice by Martín Rico y Ortega

plate no. 9057

A Canal In Venice

Martín Rico y Ortega

oilImpressionismcityscapecanalbuildingsfigureswaterskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also provides practice in rendering architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, canal, and figures.

  2. step 02

    Establish the sky color with a thin wash of blue and violet, creating a gradient from top to bottom.

  3. step 03

    Block in the large shapes of the buildings and walls with a mix of earth tones and white, paying attention to the light and shadow.

  4. step 04

    Add the darker values in the water, reflecting the buildings and sky.

  5. step 05

    Begin to define the architectural details, such as windows, columns, and statues, using small brushstrokes.

  6. step 06

    Paint the foliage with a variety of greens and browns, using broken brushstrokes to create texture.

  7. step 07

    Add the figures and boats, paying attention to their proportions and placement within the scene.

  8. step 08

    Refine the details and add highlights to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · violet

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create atmospheric haze.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·wet-on-dry blending
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.
  • →Not paying attention to the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

A medium-sized canvas (16x20 or 18x24) would be suitable for this painting. Use good quality oil paints for best results.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann