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home·artworks·A Calm Afternoon, the Coast of Labrador
A Calm Afternoon, the Coast of Labrador by William Bradford

plate no. 8643

A Calm Afternoon, the Coast of Labrador

William Bradford, 1875

oilRomanticismmarinaseacliffsboatsskysunsetfigures
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and rendering reflections in water. It also provides practice in creating a sense of depth and distance through value and color changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cliffs, land, and boats, paying attention to their relative sizes and positions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Apply a thin wash of burnt sienna and yellow ochre to the sky and water, creating the warm sunset glow.

  4. step 04

    Block in the main colors of the cliffs, using white, grey, and touches of orange and pink for highlights.

  5. step 05

    Paint the distant landmass with muted browns and greens, softening the edges to create atmospheric perspective.

  6. step 06

    Add the boats, using dark browns and blacks for the hulls and red for the sails.

  7. step 07

    Create reflections in the water using slightly darker and blurred versions of the colors above.

  8. step 08

    Add final details such as the figures in the boats and the subtle variations in the sky and water.

color palette

primary · titanium white · burnt sienna · yellow ochre

secondary · ultramarine blue · cadmium red · raw umber

Achieve the sky colors by mixing white with small amounts of burnt sienna, yellow ochre, and a touch of blue. Create the cliff highlights by mixing white with yellow ochre and a hint of red. Mute colors by mixing complementary colors together.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and distance.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·raw umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the warm undertones of the painting.

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oil painting for beginners →how to learn by studying the masters →
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