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home·artworks·A Bar at the Folies-Bergère
A Bar at the Folies-Bergère by Édouard Manet

plate no. 0442

A Bar at the Folies-Bergère

Édouard Manet, 1882

oilImpressionismgenre paintingfigureportraitinteriorbottlescrowdmirror

From the record

Dimensions
96 cm high × 130 cm wide
Institution
Courtauld Gallery, Courtauld Institute of Art
Location
Courtauld Gallery
Inception
1882
Materials
oil paint, canvas
Movement
Impressionism
  • gaze towards the viewer
  • woman
  • beer
  • Folies Bergère

Wikipedia article · Wikidata item Q1245354

from the sources

  • Manet's A Bar at the Folies-Bergère was painted in 1882 and shown at the Paris Salon that same year. en.wikipedia.org

    “It was painted in 1882 and exhibited at the Paris Salon of that year.”

  • The painting first belonged to the composer Emmanuel Chabrier, a close friend of Manet, who hung it over his piano. en.wikipedia.org

    “The painting originally belonged to the composer Emmanuel Chabrier, a close friend of Manet, and hung over his piano.”

  • The painting is now in the Courtauld Gallery in London. en.wikipedia.org

    “It is now in the Courtauld Gallery in London.”

  • In 2000, art historian Malcolm Park staged a reconstruction showing that the perspective of the painting is physically possible. en.wikipedia.org

    “In 2000, however, art historian Malcolm Park proved the perspective was physically possible by staging a reconstruction shown to reproduce the scene as painted by Manet.”

  • The beer bottles in the painting are identified as Bass Pale Ale by the red triangle on the label. en.wikipedia.org

    “The beer bottles depicted are easily identified by the red triangle on the label as Bass Pale Ale”

  • The barmaid is described as a real person named Suzon, who worked at the Folies-Bergère in the early 1880s. en.wikipedia.org

    “The woman at the bar is a real person, known as Suzon, who worked at the Folies-Bergère in the early 1880s.”

  • Although Manet sketched at the Folies-Bergère, the final painting was made entirely in his studio, where the barmaid Suzon posed. courtauld.ac.uk

    “However, the final work was painted entirely in his studio, where a barmaid named Suzon came to pose.”

  • The Courtauld says the busy background scene is a reflection in the large gold-framed mirror. courtauld.ac.uk

    “This animated scene is in fact a reflection in the large gold-framed mirror, which projects it into the viewer’s own space.”

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with careful linear drawing of the central figure and bar setup

  2. step 02

    Block in major shapes with thin paint, establishing the figure-ground relationship

  3. step 03

    Develop the background crowd and mirror reflection with loose, atmospheric brushwork

  4. step 04

    Paint the central figure's face and hands with careful attention to flesh tones

  5. step 05

    Add the intricate details of bottles, glassware, and bar accessories

  6. step 06

    Refine the black dress with subtle modeling and texture variations

  7. step 07

    Work on the complex lighting effects from the gas lamps

  8. step 08

    Final details on jewelry, lace, and surface reflections

color palette

primary · ivory black · titanium white · raw umber · cadmium yellow light

secondary · vermillion · ultramarine blue · burnt sienna · viridian green

Mix warm and cool grays for the atmospheric background, blend peach tones for flesh using white, yellow ochre, and vermillion

techniques

  • ·alla prima painting
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·figure modeling

common pitfalls

  • →Overworking the background crowd details
  • →Making the black dress too flat
  • →Losing the subtle reflected light on the figure
  • →Painting bottles too precisely without considering atmospheric effects

materials

surface · primed canvas or linen, medium texture

required

  • ·#2, #6, #10 flat brushes
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium yellow light
  • ·vermillion
  • ·ultramarine blue
  • ·canvas 18x24 minimum

optional

  • ·palette knife
  • ·painting medium
  • ·#1 liner brush
  • ·blending brush

This complex composition requires good quality brushes and sufficient working time with oils to blend effectively

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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