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home·artworks·4th of July 1819 in Philadelphia
4th of July 1819 in Philadelphia by John Lewis Krimmel

plate no. 6833

4th of July 1819 in Philadelphia

John Lewis Krimmel

oilRomanticismgenre paintingfiguresflagstentsbuildingscelebrationlandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering details within a complex scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements (buildings, tents, groups of figures).

  2. step 02

    Block in the background elements (sky, trees, distant building) using thin washes of color.

  3. step 03

    Establish the basic shapes and values of the tents and figures, focusing on the larger masses first.

  4. step 04

    Refine the figures, adding details to their clothing and faces. Pay attention to the relative scale of figures in the foreground versus the background.

  5. step 05

    Add details to the tents, flags, and other objects in the scene.

  6. step 06

    Work on the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Review the overall composition and make any necessary adjustments.

color palette

primary · ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Mix muted greens for the trees by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Use white to create lighter tints for the sky and highlights on the figures.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition.
  • →Failing to create a sense of depth by not varying the color and value of objects in the background.
  • →Making the figures too stiff and unrealistic.
  • →Overworking the painting and losing the freshness of the initial washes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retarder medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a toned ground (e.g., raw umber) to help establish the overall value range.

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