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home·artworks·Смольный Собор
Смольный Собор by Bantikov Vladimir Andreevich

plate no. 1330

Смольный Собор

Bantikov Vladimir Andreevich, 1987

canvas, oilMagic Realismreligious paintingbuildingcathedraltreesnightfigurepark
some experience helpful

Recreating this painting will help students develop skills in layering colors to create atmospheric perspective and using broken color techniques to depict light and texture. It also provides practice in rendering architectural details and organic forms with a limited palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cathedral, trees, and foreground elements, paying attention to perspective.

  2. step 02

    Establish the overall color scheme with a thin wash of dark blue and purple for the sky and darker areas.

  3. step 03

    Begin layering lighter blues and whites to define the cathedral's form and create a sense of luminosity.

  4. step 04

    Paint the trees and bushes using dark blues and greens, adding highlights with lighter blues and whites to suggest light filtering through the foliage.

  5. step 05

    Add details to the cathedral, such as windows, architectural ornaments, and crosses, using a fine brush.

  6. step 06

    Create the glowing effect by layering thin washes of white and light blue over the cathedral and surrounding areas.

  7. step 07

    Paint the small figure in the foreground with a contrasting color to draw the viewer's eye.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · titanium white · alizarin crimson

secondary · yellow ochre · viridian green

Mix various shades of blue by combining ultramarine blue and titanium white. Create purples by mixing ultramarine blue and alizarin crimson. Use yellow ochre to create warm highlights and subtle variations in the sky and building.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much white and creating a chalky appearance.
  • →Ignoring the subtle color variations in the sky and building.
  • →Failing to establish a strong sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Thin the paints with linseed oil to create transparent washes.

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