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home·artworks·Автопортрет (в голубом шарфе)
Автопортрет (в голубом шарфе) by Bantikov Vladimir Andreevich

plate no. 1328

Автопортрет (в голубом шарфе)

Bantikov Vladimir Andreevich, 1977

canvas, oilMagic Realismself-portraitportraitfigurescarfbeardmanclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and layering techniques to create depth and texture. It also provides practice in rendering fabric and facial features.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Apply a thin wash of burnt umber or a similar earth tone to establish the overall value structure.

  3. step 03

    Block in the main color areas: skin, hair, scarf, jacket, and background.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to subtle variations in hue and value.

  5. step 05

    Develop the details of the scarf, focusing on the folds and highlights.

  6. step 06

    Add details to the jacket and background, using visible brushstrokes to create texture.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · ivory black

secondary · titanium white · cadmium yellow · raw umber

Skin tones are achieved by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of ultramarine blue or raw umber for shadows. The blue scarf is created with ultramarine blue and titanium white, with touches of other colors for variation.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of highlights and shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: yellow ochre, burnt sienna, ultramarine blue, ivory black, titanium white
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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related guides

oil painting for beginners →how to learn by studying the masters →
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