
plate no. 4955
approach — 8 steps
Sketch the basic shapes and proportions of the figure and clothing on the canvas.
Establish the background color with a thin wash of dark green and blue.
Block in the main areas of color for the face, hair, and clothing, using a limited palette.
Begin building up layers of paint on the face, focusing on capturing the subtle variations in skin tone and the play of light and shadow.
Add details to the hair and beard, using small, deliberate brushstrokes to create texture.
Work on the clothing, using a combination of blending and dry brushing to create the texture of the fabric.
Refine the details of the face and clothing, paying attention to the edges and contours.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · ultramarine blue · burnt umber · yellow ochre
secondary · alizarin crimson · viridian green
Mix various shades of green and blue for the background. Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use burnt umber and ultramarine blue to create the dark tones in the jacket.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium like linseed oil to thin the paint and improve its flow.
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